home | r+c blog | articles | fictions | poetry | photography | audio & video | shop | bio | contact

Saturday, April 26, 2008

White Hunter, Black Heart 2

Clint Eastwood's "White Hunter, Black Heart" (1990), based on the book by Peter Viertel, is the thinly fictionalized account of the production of John Huston's "The African Queen" (1951), with Eastwood playing John Huston in the character of "John Wilson" and Jeff Fahey as "Pete Verrill". Below is an exchange between Pete and a British Bush Pilot, Hodkins, played by Timothy Spall:

PETE: (looking at elephants through binoculars) Oh. I've never seen one before, outside the circus or the zoo. They're so majestic. So indestructible. They're part of the earth. They make us feel like perverse little creatures from another planet. Without any dignity. Makes one believe in God.  In the miracle of creation. Fantastic. They're part of a world that no longer exists, Hod. Feeling of unconquerable time.
HODKINS: You certainly have a way with words, Pete. No wonder you're a writer.

Thursday, April 24, 2008

White Hunter, Black Heart 1

Clint Eastwood's "White Hunter, Black Heart" (1990), a fictionalized account of John Huston's making of "The African Queen" (1951) - with Eastwood playing Huston - is a superb and underrated film about moviemaking and moviemakers.

WILSON: You know something, Pete? You're never gonna be a good screenwriter, and you know why?
VERRILL: No, John. Why don't you tell me why?

WILSON: ‘Cause you let 85 million popcorn eaters pull you this way and that way. To write a movie, you must forget that anyone's ever gonna see it.



Saturday, April 19, 2008

Video - 1 Hour of Screenwriting

Screenwriting is hard. Screenwriting surrounded by hungry cats is harder. Screenwriting surrounded by hungry cats, soothing a crying baby, well ...



Wednesday, April 16, 2008

Brick Wall


Friday, April 11, 2008

Great Movie Monologues 4 - "The Life and Death of Colonel Blimp"

My favorite filmmakers are my favorite filmmakers because they usually offer something new every time I revisit their work. I find myself never able to choose a permanent favorite film. It might be "Kagemusha" (1980) this month (I prefer the leaner American release version, I feel embarrassed to say), next month "Seven Samurai" (1954). "The Birds" (1963) this month, next month "North By Northwest" (1959). Usually, I will say that "Black Narcissus" (1947) or "Stairway To Heaven" (1946) (aka "A Matter Of Life and Death") are my Powell/Pressburger films du mois. However, this mois, the movie in the #1 Archers spot is certainly "The Life and Death of Colonel Blimp" (1943). "Blimp" is a film made with one foot in WWII-era British propaganda and the other wedged in between Cervantes' "Don Quixote" and Truffaut's "Jules and Jim" (1962). It spans 40 years of a British soldiers life and covers everything from love to humiliation, honor to stupidity, idealism to self-delusion, Germany to England. And it features Deborah Kerr playing not just one mouth-watering female lead, but three.

The monologue below comes from our pompous hero's best friend, the realist Theo Kretschmar-Schuldorff, superbly played by Anton Walbrook in a performance which spans 40 years of a character's life.

In this scene, Theo, who has fled Nazi-controlled Germany, opens his tired, broken heart to an English Judge preparing to deny him asylum in England - homeland of his deceased wife, place of his incarceration in a WWI POW camp. The entire monologue takes place in a single shot on Walbrook, seated, leaning on his cane -



THEO
I have not told a lie. But I also 
have not told the truth. A refugee
soon learns that there is a big 
difference between the two.

He pauses. The JUDGE nods.

THEO
The truth about me is that I am a
tired old man who came to 
this country because he is homesick.
          (he smiles)
Oh please don't stare at me like that, sir, I am all
right in the head. You know
that, after the war, we had very
bad years in Germany. We got poorer
and poorer. Every day retired officers
and schoolteachers were caught
shoplifting. Money lost its value,
the price of everything rose. Except
of human beings. We read in the
papers, of course, that the after-war years
were bad everywhere, that crime was
increasing and that the honest citizens
were having a hard job to put the
gangsters in jail. Well, I needn't 
tell you, sir, that in Germany,
the gangsters finally
succeeded in putting the honest
citizens in jail. My wife was English.
She would have loved to have
come back to England, but it seemed
to me that I would be letting
down my country in its greatest need,
and so she stayed at my side. When
in summer '33, we found that we had
lost both our children to the Nazi
Party, and I was willing to come,
she died. None of my sons came to
her funeral.
          (eyes burning)
Heil Hitler ... And then in January 
'35, I had to go to Berlin on a mission 
for my firm. Driving
up in my car, I lost my way on
the outskirts of the city, and
suddenly the landscape seemed so
familiar to me. And slowly I
recognized the road, the
lake, and a nursing home, where I
spent some weeks recovering
almost forty years ago. I stopped
the car and sat still - remembering.
And ... you see, in this very nursing
home, sir, I met my wife for the first
time ... and I met an Englishman who
became my greatest friend.
And I remembered the people at the
station in '19, when we prisoners
were sent home, cheering us, treating
us like friends ... the faces
of a party of distinguished men
around a table who tried their
utmost to comfort me when the defeat
of my country seemed to me
unbearable. And - very foolishly - I
remembered the English
countryside, the gardens, the green lawns, 
the weedy rivers and the trees ... 
she loved so much. And a great desire 
came over me to come back to my 
wife's country. And this, sir, is the truth.

Silence in the schoolroom after THEO'S long speech. The JUDGE rises and walks round the table.

Thursday, April 10, 2008

Flickr Video - Autoportrait A

As you certainly must know by now - because of all the rioting in the streets - Flickr has adopted video. And there are many angry Flickr users threatening to boycott the Beijing Olympics because of it. Yahoo may be pulling a fast one by adding video to Flickr in order to "add value" prior to an imminent buyout by the wise & kindly Rupert Murdoch, et al.

I have been hoping a Flickr-like video community would appear for some time now - a classy, and useful, alternative to the busy, pixelated , irritating mess that is YouTube. In fact, the sheer mediocre awfulness of YouTube's features and interface and image quality have discouraged me from posting video online in general. Why take time to make a video when it will only be seen in a crummy version? Online video is mature enough now that we should be getting high quality - HD even - video as a matter of course. A photo site that offered only low-resolution uploads would be laughed out of countenance today. So it should be with video.

Flickr is currently restricting uploaded videos to 90 seconds in length and only to Pro Account holders, which seems a sound approach. As a result, the video self-portrait below, which is just slightly over 90 seconds ends, prematurely. 

I guess I'll have to post the complete version on my YouTube page.

Sunday, April 06, 2008

OTS